• The Parade (Goldleaf Variant Edition of 33) Print James R. Eads
  • The Parade (Goldleaf Variant Edition of 33) Print James R. Eads
  • The Parade (Goldleaf Variant Edition of 33) Print James R. Eads
  • The Parade (Goldleaf Variant Edition of 33) Print James R. Eads
  • The Parade (Goldleaf Variant Edition of 33) Print James R. Eads
  • The Parade (Goldleaf Variant Edition of 33) Print James R. Eads
  • The Parade (Goldleaf Variant Edition of 33) Print James R. Eads
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The Parade (Goldleaf Variant AP Edition of 7)

The Parade (Goldleaf Variant AP Edition of 7)

$1,531.00 NZD
$1,531.00 NZD
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SOLD OUT, prints will not be available again.

"and in the end, we would spill out into the streets and put on a parade."

The Parade is a 20" x 40" combination giclee and screenprint with a layer of glitter in a rainbow gradient and a layer of variegated and genuine 24K gold leaf. This special edition includes unique character embellishments on the border of the print. Prints are hand-signed and numbered in a limited AP edition of 7 and blind embossed in the lower right corner. These are the very last goldleaf prints ever made of The Parade. The price reflects the highly-skilled work that went into this elaborate print and the collectibility of this rare, out-of-print, edition. 

Specifics:

  • Paper Size: 20" x 40" with deckled edges 
  • Image Size: 17 x 37"
  • Archival Giclée print using pigment-based inks on 290 gsm Entrada Moab paper
  • Layer of glitter in a rainbow gradient, sealed with transparent gloss
  • Layer of genuine 24k gold leaf and variegated gold leaf
  • Unique character embellishments in the border of the print
  • Signed by James R. Eads
  • Numbered in an AP edition of 7
  • Embossed with the James R. Eads studio chop
  • Printed in-house in Los Angeles
  • Original Release: March 10th, 2022
  • This edition is limited to 1 print per customer

    Process: 

    The Parade was originally created as a mixed media gouache and pastel piece on wood panel. I worked on the Parade intermittently for over 2 years. When it was complete I had it professionally photographed and then digitally created the screenprinted layers. For the first layer we apply a glue-like tack in the areas where the glitter sticks. The glitter is then brushed across the print in a rainbow gradient. The glitter layer is then sealed with a clear gloss so that none of the glitter comes off of the print. A second layer of tack is then applied in the gold leaf areas. Gold leaf is then applied by hand and brushed off with a goat-hair brush. Prints are then torn down with deckled-edged, blind embossed with our studio chop, and signed and numbered. 

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